sábado, 2 de abril de 2011

Chinese Dynasties: The Song Dynasty - 宋朝 (960 – 1279)

The Song Dynasty succeeded the Tang and a period full of unrest and wars known as the Five Dynasties 五代 (907-960). The Song Dynasty is divided into two distinct periods: the Northern Song and Southern Song. During the Northern Song (Chinese: 北宋, 960–1127), the Song capital was in the northern city of Bianjing (now Kaifeng) and the dynasty controlled most of inner China. The Southern Song (Chinese: 南宋, 1127–1279) refers to the period after the Song lost control of northern China to the Jin Dynasty. During this time, the Song court retreated south of the Yangtze River and established their capital at Lin'an (now Hangzhou). Although the Song Dynasty had lost control of the traditional birthplace of Chinese civilization along the Yellow River, the Song economy was not in ruins, as the Southern Song Empire contained 60 percent of China's population and a majority of the most productive agricultural land.[1] The Southern Song Dynasty considerably bolstered its naval strength to defend its waters and land borders and to conduct maritime missions abroad.

To repel the Jin, and later the Mongols, the Song developed revolutionary new military technology augmented by the use of gunpowder. In 1234, the Jin Dynasty was conquered by the Mongols, who took control of northern China, maintaining uneasy relations with the Southern Song.

The population of China doubled in size during the 10th and 11th centuries. This growth came through expanded rice cultivation in central and southern China, the use of early-ripening rice from southeast and southern Asia, and the production of abundant food surpluses. The Northern Song census recorded a population of roughly 50 million, much like the Han and Tang dynasties. This data is found in the Standard Histories, however, it is estimated that the Northern Song had a population of some 100 million people, and 200 million by the time of the Ming Dynasty. This dramatic increase of population fomented an economic revolution in premodern China. The expansion of the population was partially the cause for the gradual withdrawal of the central government from heavily regulating the market economy. A much larger populace also increased the importance of the lower gentry's role in grassroots administration and local affairs. Appointed officials in county and provincial centers relied upon the scholarly gentry for their services, sponsorship, and local supervision.

The Song was the first government in world history to issue banknotes or paper money, and the first Chinese government to establish a permanent standing navy. This dynasty also saw the first known use of gunpowder, as well as first discernment of true north using a compass.

Social life during the Song was vibrant; social elites gathered to view and trade precious artworks, the populace intermingled at public festivals and private clubs, and cities had lively entertainment quarters. The spread of literature and knowledge was enhanced by the earlier invention of woodblock printing and the 11th-century invention of movable type printing. Pre-modern technology, science, philosophy, mathematics, engineering, and other intellectual pursuits flourished over the course of the Song. Philosophers such as Cheng Yi and Zhu Xi reinvigorated Confucianism with new commentary, infused with Buddhist ideals, and emphasized a new organization of classic texts that brought out the core doctrine of Neo-Confucianism. Although the institution of the civil service examinations had existed since the Sui Dynasty, it became much more prominent in the Song period. This became a leading factor in the shift of an aristocratic elite to a bureaucratic elite.

The traditional state of civil administration fully developed and brought up a revival of Confucian thought - the so-called "Neo-Confucianism", with many scholars commenting the traditional books, but also developing a more metaphysical worldview of the rather state-oriented "old" Confucianism.

The Song time is often called a "Chinese Renaissance" because - similar to the European renaissance - progress in technology and inventions, the upcoming of new philosophical interpretations of the old texts meant a renewal of the old and the creation of new streamings. The Song period is marked by a revival of old Confucian traditions after the Tang age of Buddhism, and the prevailing position of civil scholars over the military age of Tang and Five Dynasties. But Song culture was also a culmination of the heritage of two thousand years of culture, and from this point of crystallization on, Chinese thinking became orthodox, culture became sterile as if it had been unchanged since thousands of years.

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